I feel Fender has improved quite a lot over the III, especially with the reverb. This gives the amp more presence and I actually found myself playing with the fat switch on more than off.Īs the name also suggests, this is the fourth amp in the Blues Junior range. The one unique control on the Blues Junior is the fat switch. You can brighten it up quite a lot through the EQ, but I don’t think it gets quite as bright. The tone is also much warmer than you would expect from a Fender amp. The Blues Junior has a very rich, flavorful sound.
Red fender mustang amp full#
I usually prefer a few more controls on my amps, but on an amp like the Blues Junior, you don’t need more than it already has.īut don’t let its controls full you, this amp is anything but basic. It has a volume, 3-band EQ, master, and reverb, that is it. This amp is very much geared towards blues guitarists.īecause of this heavy focus, the Blues Junior is also a fairly basic amp. The Blues Junior IV is very up front about what it does. But it is more than right for clean and light gain music. It can distort quite nicely, but not really enough to push it very far into rock territory. I would place it more in the genres of jazz, country, and blues. This isn’t the most versatile Fender amp, however. In fact, the Princeton has been used by countless guitarists and can be heard on plenty of famous albums. Probably not enough for any gigs, but more than enough for practice and even for recording. The amp also has a decent amount of volume for a 12-watt. You can go from a subtle reverb that just adds some color, to a big, expansive reverb really easily. I find the reverb to be very responsive and versatile. It also has quite a nice bottom end, giving its tone a bit more weight.Īs the name suggests, this amp also has built-in reverb. The amp is quite bright, but not as sparkly as other Fenders. It has quite a classic Fender tone, with a touch of modern on top. It does also come in the more modern black. With its lacquered tweed giving it that old-school style. The Princeton sports a much more vintage look than many other Fender amps. The Princeton Reverb was one of the first Fender amps ever made, and has remained a classic ever since. The ’65 Princeton Reverb is an amp that is almost as icon as Fender’s guitars. It isn’t super heavy or big, but it is just a bit heavier and bigger to make it not quite as portable. If I had to choose a downside, it would be the size and weight. Of course, I wouldn’t take this to any gigs, but it is perfect for practice and a hands down great busking amp.
Red fender mustang amp software#
I am not too surprised if Fender is using the same software as the bigger Mustangs.
The sounds on offer are varied and pretty much everything you beginner or intermediate could need.
The LT 25 doesn’t disappoint, with its 20 amp models, 25 effects, and 50 presets.
I have come to expect quite a bit from modeling amps, even the cheaper ones. Of course, this is a modeling amp, so the main attraction is the sound.
It is as well-built as you would expect a Fender amp to be. I think Fender has done a great job to keep the LT 25 playing as good as the more expensive Mustang amps. The Mustang LT 25 sits at the entry-level range of this series.Įven though it is an entry-level amp, it doesn’t feel like one.
Red fender mustang amp series#
With the increasing popularity of modeling amps, it is no wonder that Fender has entered that space with their own series of modeling amps.
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